Solar 35.6 GW dominates the scene as an immense foreground and middle-ground expanse of crystalline silicon photovoltaic panels stretching across gently rolling summer fields, their aluminium frames glinting under strong afternoon sun; wind onshore 9.4 GW appears as dozens of three-blade turbines on lattice and tubular towers lining a ridgeline in the right third of the composition, blades turning slowly in a light breeze; brown coal 4.1 GW occupies the far left background as a pair of massive hyperbolic cooling towers with lazy white steam plumes rising against the sky; biomass 3.6 GW is rendered as a modest industrial plant with a woodchip storage yard and single low exhaust stack just left of centre; natural gas 1.7 GW appears as a compact CCGT facility with a sleek exhaust stack and thin heat shimmer, nestled between the biomass plant and the cooling towers; wind offshore 1.6 GW is suggested by a distant cluster of turbines on a hazy horizon line above a faint strip of sea glimpsed between hills; hydro 1.2 GW is a small dam and spillway in a wooded valley at far right; hard coal 0.5 GW is a single modest stack with a thin wisp of smoke beside the lignite plant. Time is 4 PM in high summer: the sun is high in the western part of the sky, casting warm, full daylight; sky is mostly blue with scattered cumulus clouds covering roughly a third of the dome; temperature 22 °C drives lush green deciduous foliage on oaks and linden trees framing the scene. The atmosphere is calm and clear, neither oppressive nor stormy, reflecting a moderate electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters such as Caspar David Friedrich and Carl Blechen — rich saturated colour palette of deep greens, golden yellows, cerulean blue sky; visible impasto brushwork in the clouds and foliage; atmospheric aerial perspective fading distant cooling towers into a soft haze; meticulous engineering accuracy on every turbine nacelle, PV cell grid pattern, and cooling tower parabolic curve. No text, no labels, no human figures.