Brown coal 8.6 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers rising against a pitch-black sky, their steam plumes glowing faintly amber from sodium floodlights below; natural gas 6.4 GW fills the centre-left as a pair of compact CCGT plants with tall single exhaust stacks venting thin white plumes, lit by industrial lighting; hard coal 4.0 GW appears centre-right as a blocky power station with twin chimneys and conveyor gantries under harsh yellow security lights; onshore wind 8.9 GW spans the entire right third as a deep field of three-blade turbines on lattice towers, their red aviation warning lights blinking in rhythmic sequence against the black sky; offshore wind 1.7 GW is suggested far right on the horizon as a faint line of blinking red dots over an invisible sea; biomass 4.3 GW appears as a mid-sized industrial facility with a rectangular smokestack and wood-chip storage dome, warmly lit between the coal and wind zones; hydro 1.2 GW is a small dam structure with water shimmering under floodlights at the far left edge. The sky is completely dark, deep navy-to-black, cloudless, with faint stars visible — no twilight, no sky glow. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a humid summer haze softens the distant lights, and the air around the cooling towers is thick with rising moisture. The ground shows midsummer vegetation — lush dark green grass and full-canopy deciduous trees, barely visible except where industrial lighting catches their edges. No solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between artificial light and surrounding darkness, atmospheric depth receding into hazy blackness, meticulous engineering detail on every turbine nacelle, cooling tower flute, and exhaust stack, evoking Caspar David Friedrich's sublime darkness merged with industrial grandeur. No text, no labels.