Solar 21.0 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces reflecting only pale diffuse light under thick overcast; brown coal 8.6 GW fills the left quarter as a cluster of massive hyperbolic cooling towers emitting heavy white-grey steam plumes that merge with the low cloud ceiling; natural gas 6.0 GW appears in the centre-left as two compact combined-cycle gas turbine plants with tall single exhaust stacks trailing thin heat shimmer; biomass 4.2 GW sits mid-ground as a timber-clad industrial facility with a modest stack and a woodchip storage yard; wind onshore 2.7 GW appears as a small group of three-blade turbines on a low ridge in the background, rotors completely still; hard coal 2.5 GW is rendered as a single coal-fired station with a rectangular brick boiler house and conveyor belt visible beside a coal pile; hydro 1.0 GW is suggested by a small run-of-river weir with churning water in the far right background; wind offshore 0.9 GW is barely visible as tiny turbine silhouettes on a hazy grey horizon line. Time is 08:00 on a July morning: full daylight but deeply overcast with a flat, oppressive, uniformly grey sky — no blue patches, no sun disc visible, light is cool and even. Temperature is cool for summer at 11°C: lush green midsummer vegetation — tall grass, leafy deciduous trees — but with a damp, heavy atmosphere suggesting recent rain, puddles on roads. The air feels thick and pressurised, conveying the high electricity price through an oppressive, brooding mood. The landscape is gently rolling central German terrain. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth married with industrial realism — rich muted colour palette of slate grey, moss green, and ochre, visible confident brushwork, luminous atmospheric haze, meticulous engineering detail on every power installation. No text, no labels.