Solar 50.6 GW dominates the scene as an enormous expanse of crystalline silicon PV panels stretching across rolling fields and rooftops occupying roughly three-quarters of the composition; brown coal 4.8 GW appears at the left as a cluster of hyperbolic cooling towers with lazy white steam plumes rising into overcast sky; biomass 3.8 GW is rendered as a mid-ground wood-chip-fed power station with a tall square stack and timber storage yards; wind onshore 3.6 GW shows as a scattered line of three-blade turbines on a distant ridge, rotors barely turning in the near-calm air; natural gas 1.9 GW sits as a compact CCGT plant with a single gleaming exhaust stack and small heat-recovery unit; hydro 1.2 GW appears as a modest run-of-river weir with foaming spillway at far right; wind offshore 0.7 GW is glimpsed as tiny turbines on a hazy horizon line; hard coal 0.7 GW is a single small stack behind the lignite complex. Midday July lighting: the sun is high but diffused through 80% cloud cover, casting soft, even, slightly warm illumination with no harsh shadows; sky is a layered wash of pale grey and muted cream with occasional brighter patches where sun nearly breaks through. Landscape is lush midsummer green—tall grasses, full-canopy deciduous trees, wildflowers—at roughly 19 °C. Air is still, no motion blur on vegetation. Atmosphere is calm and spacious, reflecting moderate electricity prices. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich layered colour, visible confident brushwork, atmospheric aerial perspective receding into haze, and meticulous engineering accuracy on every turbine nacelle, PV panel frame, cooling tower hyperbolic curve, and industrial stack. No text, no labels.