Brown coal 9.0 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white steam plumes rising into the black sky, lit from below by orange sodium lamps; hard coal 4.0 GW appears in the left-centre as two smaller square cooling towers and a long turbine hall with glowing windows; natural gas 5.0 GW fills the centre as a pair of compact CCGT plants with tall slender exhaust stacks venting heat shimmer, bathed in bluish-white industrial floodlights; biomass 3.9 GW occupies the right-centre as a cluster of industrial biogas facilities with cylindrical digesters and low chimneys, warmly lit; wind onshore 3.0 GW and wind offshore 1.3 GW appear in the far right background as a sparse row of three-blade turbines on lattice towers, their red aviation warning lights blinking faintly, rotors nearly still in the calm air; hydro 1.0 GW is suggested by a small dam structure at the far right edge with a thin silver thread of water catching the artificial light. The sky is completely dark, deep navy-black, no moon, no stars visible through 78% cloud cover, creating a heavy oppressive overcast ceiling that presses down on the scene. The atmosphere is thick and humid, summer night at 10.6°C, with lush dark green deciduous trees and tall grass visible along a foreground meadow, barely discernible in the gloom. Mist clings to the low ground between the industrial complexes. The overall mood is heavy and oppressive, reflecting a high electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, deep chiaroscuro contrast between the glowing industrial facilities and the surrounding darkness, atmospheric depth with layers of steam and mist receding into the background, meticulous engineering detail on every cooling tower, stack, turbine nacelle, and rotor blade. No text, no labels.