Brown coal 6.3 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black night sky, lit from below by sodium-orange industrial floodlights; wind onshore 5.6 GW fills the centre-left as a line of tall three-blade turbines on lattice towers slowly rotating on a gentle breeze, their red aviation warning lights blinking against the darkness; natural gas 3.7 GW appears centre-right as two compact CCGT power blocks with slender single exhaust stacks venting thin heat shimmer, brightly lit by white halogen lamps on the plant perimeter; biomass 4.1 GW sits right of centre as a large industrial facility with a tall rectangular stack and a wood-chip conveyor belt illuminated by amber lights; hard coal 2.5 GW appears in the right background as a single large boiler house with a tapered chimney emitting a faint grey plume; wind offshore 2.2 GW is suggested at the far right horizon as tiny red blinking lights in a row above an invisible sea; hydro 1.0 GW is a small dam structure in the far background, water glistening faintly. The sky is completely black with no twilight, no moon, only a deep navy tone near the horizon; scattered clouds at 62% cover are invisible against the dark but subtly block starlight. The summer landscape below shows lush dark-green deciduous trees and meadow grass faintly lit by facility glow, suggesting warmth at 21.5°C. The atmosphere feels heavy and oppressive — a thick humid haze hangs low, diffusing every artificial light into halos, conveying the high electricity price. No solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro, dramatic interplay of industrial sodium light against absolute darkness, recalling Caspar David Friedrich's nocturnal sensibility merged with meticulous engineering accuracy of each power technology. No text, no labels.