Brown coal 6.4 GW dominates the left third of the scene as massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by orange sodium vapor lamps; onshore wind 5.7 GW spans the centre-right as a long row of tall three-blade turbines on lattice towers, their red aviation warning lights blinking against the darkness, blades turning slowly in light wind; biomass 3.8 GW appears as a mid-sized industrial plant with a tall chimney and glowing furnace windows in the centre-left; natural gas 3.2 GW is rendered as a compact CCGT facility with twin exhaust stacks emitting thin vapour, positioned centre, its control room windows casting warm yellow light; hard coal 2.5 GW sits as a smaller power station with conveyor belts and a single large smokestack near the left; offshore wind 0.8 GW is faintly suggested on the far-right horizon as tiny red lights over a dark sea; hydro 1.0 GW appears as a small dam structure in the mid-ground with water reflecting industrial lights. The sky is completely black with full overcast — no stars, no moon, no twilight — a heavy, oppressive ceiling of cloud pressing down to convey the high electricity price. The landscape is a gently rolling central German plain in summer, with dark green deciduous trees barely visible in the industrial glow. Temperature is mild at 12.5°C, with slight mist pooling in low ground. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, sombre colour palette of deep navy, burnt umber, and warm amber; visible impasto brushwork; atmospheric depth with layers of industrial haze; meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and exhaust stack. The mood is monumental and brooding, an industrial nocturne. No text, no labels.