Wind onshore 16.6 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling dark hills, rotors spinning briskly in steady wind; brown coal 6.7 GW occupies the left background as a massive lignite power station with four hyperbolic cooling towers emitting thick steam plumes lit from below by amber sodium lamps; biomass 4.3 GW appears as a cluster of mid-sized industrial facilities with short chimneys and wood-chip conveyors in the left-centre, warmly lit windows glowing; wind offshore 3.1 GW is suggested on the far right horizon as a faint row of turbine silhouettes with red aviation warning lights blinking above a distant dark sea; natural gas 2.6 GW sits centre-left as two compact CCGT units with slender exhaust stacks venting thin heat shimmer; hard coal 1.7 GW appears as a smaller coal plant with a single square cooling tower near the lignite station; hydro 1.0 GW is a small illuminated dam structure in the foreground valley. The scene is set at 22:00 in full night — the sky is completely black and overcast with 100% cloud cover, no stars, no moon, no twilight glow whatsoever. All structures are lit only by artificial light: orange-yellow sodium streetlamps along access roads, floodlights on industrial facades, red blinking warning lights on turbine nacelles. The atmosphere is heavy and oppressive, reflecting the high electricity price — a thick humid haze diffuses the artificial lights into smeared haloes. Summer vegetation is lush but rendered in deep shadow, warm 20°C air suggested by leafy deciduous trees barely visible in lamplight. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro, deep atmospheric perspective — yet every piece of energy infrastructure is rendered with meticulous engineering accuracy: three-blade rotor geometry, nacelle housings, hyperbolic concrete cooling tower curvature with condensation plumes, aluminium-clad gas turbine exhaust stacks. No text, no labels.