Solar 30.0 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland under a bright but uniformly overcast white-grey sky; wind onshore 22.8 GW fills the left half and middle distance as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning steadily in moderate breeze; wind offshore 2.5 GW appears as a thin line of turbines on the far horizon where land meets hazy sea; brown coal 3.2 GW sits in the left foreground as two large hyperbolic cooling towers with pale steam plumes drifting sideways in the wind, beside a lignite power station with conveyor belts and coal bunkers; biomass 3.7 GW is rendered as a mid-ground cluster of smaller industrial buildings with wood-chip silos and low exhaust stacks emitting thin wisps; natural gas 1.6 GW appears as a compact single-stack CCGT plant tucked between the cooling towers and the wind turbines; hydro 1.1 GW is suggested by a small dam and reservoir visible in a valley at mid-left; hard coal 0.5 GW is a single modest smokestack with minimal emission near the brown coal complex. The lighting is full daytime at 16:00 in July but entirely diffuse — no shadows, no direct sun, the entire sky a luminous pearl-white overcast ceiling. Temperature is a mild 21°C; vegetation is lush high-summer green — tall grass, full-canopy deciduous trees, wildflowers in meadow margins. The atmosphere feels calm and open, reflecting the zero electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — with rich colour, visible confident brushwork, atmospheric aerial perspective, and meticulous engineering accuracy on every turbine nacelle, every PV cell grid pattern, every cooling tower's hyperbolic concrete shell. No text, no labels.