Solar 51.6 GW dominates the scene as a vast, sweeping plain covered in thousands of aluminium-framed crystalline silicon PV panels stretching from the foreground deep into the middle distance, glinting under brilliant midday sun, occupying roughly three-quarters of the composition. Wind onshore 6.3 GW appears as a cluster of tall three-blade turbines with white tubular towers on a gentle ridge at the right, their blades barely turning in the light breeze. Wind offshore 2.0 GW is visible as a distant line of turbines on the hazy horizon where land meets a sliver of sea. Brown coal 4.1 GW stands at the far left as two large hyperbolic cooling towers with thin white steam plumes rising vertically in the still air. Biomass 3.8 GW is rendered as a compact wood-fired plant with a low rectangular boiler building and a modest stack emitting pale exhaust, situated behind the cooling towers. Natural gas 1.5 GW appears as a single compact CCGT unit with a tall slender exhaust stack and small heat-recovery steam generator, nestled beside the coal plant. Hydro 1.1 GW is suggested by a small reservoir dam visible in a valley to the right. Hard coal 0.6 GW is a single smaller smokestack barely visible behind the brown coal complex. The sky is completely cloudless, deep cerulean blue, with the sun at its zenith casting short, crisp shadows. The atmosphere is calm, open, luminous — no oppressive haze, reflecting the zero price. Summer vegetation: lush green meadows, mature deciduous trees in full leaf, wildflowers along field edges. Temperature of 21.6 °C conveyed through comfortable, warm-toned light. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, layered colour, visible impasto brushwork, atmospheric depth and luminosity — yet every technological element rendered with meticulous engineering accuracy: turbine nacelles, rotor pitch mechanisms, PV cell grid lines, cooling tower parabolic geometry, CCGT exhaust diffusers. The painting balances sublime natural beauty with precise industrial realism. No text, no labels.