Brown coal 10.6 GW occupies the left third of the scene as a vast complex of hyperbolic cooling towers emitting thick luminous steam plumes lit from below by sodium-orange industrial floodlights; natural gas 7.5 GW fills the center-left as a cluster of compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer, lit by white industrial lighting; wind onshore 6.9 GW spans the center-right as a row of large three-blade turbines on lattice towers, their red aviation warning lights blinking against the black sky, blades turning slowly in the faint 3 km/h breeze; hard coal 4.4 GW appears in the right-center as a traditional coal plant with a single large smokestack and conveyor belt infrastructure, warmly lit; biomass 4.3 GW is rendered as a mid-sized industrial facility with a wood-chip storage dome and short exhaust stack near the right side; wind offshore 1.0 GW is glimpsed as tiny distant turbine silhouettes on a dark horizon line far right; hydro 1.0 GW appears as a small dam spillway at the far right edge reflecting artificial light. The sky is completely black with no twilight or sky glow — it is deep night at 22:00 in summer. Stars are faintly visible where not obscured by steam and industrial haze. The atmosphere is heavy, oppressive, and humid, reflecting 24.9°C warmth — a thick summer night feel with no breeze visible in the lush green foreground vegetation of July. The mood is dense and weighty, conveying the high electricity price. A heavy industrial haze hangs low, trapping the orange and white artificial light in a glowing industrial miasma. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro, atmospheric depth reminiscent of Caspar David Friedrich but applied to an industrial nocturne. Meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.