Wind onshore 12.5 GW spans the right half of the scene as dozens of large three-blade turbines on lattice towers stretching across rolling hills; wind offshore 5.2 GW appears in the far-right background as a cluster of turbines standing in a dark sea barely visible on the horizon; brown coal 8.0 GW dominates the left quarter as three massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, flanked by conveyor structures and glowing furnace windows; natural gas 5.5 GW occupies the center-left as two compact CCGT plant blocks with tall single exhaust stacks emitting thin grey plumes, lit by sodium-orange industrial floodlights; hard coal 3.0 GW sits behind the gas plants as a smaller set of rectangular boiler houses with a single square chimney; biomass 3.8 GW appears as a mid-sized industrial facility with a wood-chip dome and short stack near the center; hydro 1.1 GW is suggested by a small dam structure with spillway in the lower-left foreground beside a dark river. The sky is completely black with no stars visible due to 100 percent cloud cover, the overcast ceiling low and oppressive, reflecting a faint sickly orange-brown glow from the industrial lighting below. The air feels warm and heavy, summer vegetation lush and dark green where caught by artificial light, leaves motionless in the near-calm 5 km/h breeze while the distant turbine blades turn slowly. The mood is tense and brooding, atmosphere thick and close, conveying elevated energy prices. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich deep colour palette of indigo, burnt umber, and sodium orange, visible expressive brushwork, atmospheric depth with haze around the cooling tower plumes, meticulous engineering accuracy on turbine nacelles, cooling tower geometry, and CCGT exhaust stacks. No text, no labels.