Brown coal 8.8 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into overcast sky; solar 17.8 GW spans the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat terrain, their surfaces reflecting only dull grey light under dense cloud; wind onshore 6.5 GW appears as rows of three-blade turbines with white tubular towers on gentle hills in the middle distance, blades barely turning in light 5 km/h winds; wind offshore 2.1 GW is suggested by a line of turbines on the far horizon; natural gas 4.5 GW is rendered as two compact CCGT units with single tall exhaust stacks and thin heat exhaust, positioned between the coal plant and solar fields; hard coal 3.8 GW appears as a smaller conventional power station with a single large stack and conveyor belt feeding dark fuel; biomass 4.0 GW is a modest wood-clad industrial plant with a low green-tipped chimney emitting pale smoke; hydro 1.2 GW is a small dam and reservoir nestled in a wooded valley in the far background. Time is 08:00 in August: full daylight but completely diffused through 96% cloud cover — the entire sky is a heavy, oppressive uniform pewter-grey with no blue patches and no visible sun, creating flat shadowless illumination. Vegetation is lush midsummer green — thick deciduous trees, tall grass, wildflowers — at 21.6 °C. The atmosphere feels heavy, warm, and humid, with a brooding weight to the sky reflecting the high electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour despite the overcast palette, visible confident brushwork, atmospheric depth with soft aerial perspective, meticulous engineering accuracy on every turbine nacelle, every PV cell grid line, every cooling tower's parabolic curve. The composition reads as a panoramic industrial landscape masterwork. No text, no labels.