Solar 18.5 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle green summer hills, angled toward a morning sun partially veiled by scattered cumulus clouds. Brown coal 8.4 GW occupies the left quarter as a cluster of massive hyperbolic concrete cooling towers with thick white steam plumes rising into the hazy sky, adjacent to open-pit mine terraces visible in the distance. Wind onshore 8.1 GW fills the centre-left background as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning at moderate speed. Natural gas 4.9 GW appears as a pair of compact CCGT plants with slim exhaust stacks emitting thin heat shimmer, positioned centre-right. Biomass 4.0 GW is rendered as a mid-sized wood-chip power station with a modest smokestack and woodchip storage silos near the foreground. Hard coal 2.3 GW appears as a smaller conventional coal plant with a single rectangular cooling tower behind the biomass facility. Wind offshore 1.4 GW is suggested by tiny turbines on the far horizon where a strip of grey-blue sea meets the sky. Hydro 1.1 GW is depicted as a small dam and powerhouse nestled in a wooded valley in the far right background. The lighting is full August morning daylight at 08:00 — warm golden-white sun low in the east casting long shadows westward, sky 46% covered with cumulus clouds, patches of blue between them. The atmosphere feels heavy and slightly oppressive, with a faint industrial haze hanging over the landscape reflecting the high electricity price. Summer vegetation is lush and deep green, temperature around 19°C conveyed by light morning mist in the valleys. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with depth receding for kilometres, meticulous engineering detail on every turbine nacelle, every PV panel frame, every cooling tower's hyperbolic curve. No text, no labels.