Brown coal 8.0 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lamps; hard coal 3.9 GW appears center-left as a smaller coal plant with a tall rectangular boiler house and twin chimneys glowing dull red at their tips; natural gas 5.6 GW fills the center as two compact CCGT blocks with slender exhaust stacks releasing thin translucent plumes, their turbine halls illuminated by cool white floodlights; onshore wind 8.1 GW spans the right third and background as a line of roughly twenty tall three-blade turbines on lattice and tubular towers, red aviation warning lights blinking on nacelles; biomass 3.9 GW appears as a modest wood-chip-fired plant near center-right with a short smokestack and small conveyor belt, warmly lit; hydro 1.1 GW is suggested by a small dam and spillway in the far right background catching faint reflected light. The sky is completely black with no twilight, no sky glow — a deep navy-to-black vault with scattered stars barely visible through industrial haze. The atmosphere is heavy, oppressive, humid, and hazy, reflecting the high electricity price. Warm August vegetation — full dark-green deciduous trees with heavy leaf canopy — lines a river in the foreground reflecting the orange industrial glow. No solar panels, no sunshine. The overall mood is brooding nocturnal industry. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro, atmospheric depth with smoky aerial perspective — yet every piece of energy infrastructure rendered with meticulous engineering accuracy: three-blade rotor profiles, hyperbolic concrete shell geometry, CCGT gas turbine exhaust configurations. No text, no labels.