Brown coal 9.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black night sky, lit from below by orange sodium lamps revealing detailed concrete textures; wind onshore 12.6 GW spans the right half as dozens of tall three-blade turbines on lattice and tubular towers receding into the dark distance across gentle rolling hills, red aviation warning lights blinking on nacelles; natural gas 5.9 GW appears centre-left as a compact CCGT plant with slender exhaust stacks emitting thin heat shimmer, lit by harsh industrial floodlights; hard coal 4.2 GW sits centre-right as a coal-fired station with a single large stack and conveyor infrastructure, glowing windows and amber security lighting; biomass 3.7 GW is rendered as a smaller industrial facility with a rounded silo and modest chimney near the centre; hydro 1.0 GW appears as a small dam structure in the far background with faint spillway lights; wind offshore 1.3 GW is suggested by a few distant turbines on a dark horizon line suggesting the sea. The sky is completely black with a deep navy gradient near the horizon, no moon visible, stars faintly scattered, clear with zero cloud cover. The August landscape has lush dark-green deciduous trees and grass barely visible in ambient light, temperature mild at 12.7 °C with a faint ground-level mist. The atmosphere feels heavy and oppressive despite clear skies, reflecting a high electricity price — a dense, weighty stillness pervades the scene. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich saturated colour in the darks, visible impasto brushwork, dramatic chiaroscuro from industrial lighting against the vast dark sky, atmospheric depth through layered receding planes, meticulous engineering detail on every technology. No text, no labels.