Wind onshore 14.8 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills, red aviation warning lights blinking on nacelles; wind offshore 2.5 GW appears in the far background right as a cluster of turbines on a dark sea horizon with tiny red lights. Brown coal 6.9 GW occupies the left foreground as three massive hyperbolic cooling towers emitting pale steam plumes lit from below by sodium-orange industrial floodlights; hard coal 4.7 GW sits just right of centre-left as a large coal-fired power station with twin rectangular chimneys and conveyor belt structures, glowing windows and amber security lighting. Natural gas 4.8 GW appears in the centre as two compact CCGT plant blocks with single tall exhaust stacks venting thin heat shimmer, lit by white industrial LEDs. Biomass 3.6 GW is rendered as a medium-sized plant with a domed digester and a short stack with a faint warm glow, positioned between the coal and gas facilities. Hydro 1.0 GW appears as a small concrete dam structure at the far left edge with a thin ribbon of water reflecting artificial light. Time is 04:00 — the sky is completely black, no twilight, no moon, deep navy-black firmament with a scattering of stars visible between steam plumes. The atmosphere is heavy and oppressive, a faint industrial haze hangs low, reflecting the orange sodium glow upward, conveying elevated electricity prices. Temperature is mild at 11°C; summer vegetation — dark silhouettes of leafy deciduous trees and tall grass — frames the foreground. Central Germany surface air is nearly still, grass motionless, but distant turbine blades spin steadily. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, deep colour palette of indigo, amber, and charcoal; visible impasto brushwork; atmospheric depth with layers of industrial haze receding into darkness; meticulous engineering detail on each turbine nacelle, cooling tower hyperbolic profile, CCGT stack geometry, and coal conveyor infrastructure. The scene evokes Caspar David Friedrich's sublime darkness fused with industrial grandeur. No text, no labels.