Brown coal 5.5 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick steam plumes rising into the darkness; hard coal 4.6 GW sits left-of-centre as a heavy industrial power station with rectangular boiler houses, conveyor belts, and tall chimneys emitting faint grey exhaust; natural gas 6.0 GW fills the centre as a row of compact CCGT units with sleek single exhaust stacks and warm sodium-lit service roads; wind onshore 7.1 GW spans the right third as a field of tall three-blade turbines on lattice towers slowly turning on gentle wind; wind offshore 1.5 GW appears in the far-right background as a distant line of turbines on a dark horizon suggesting the North Sea; biomass 3.7 GW is rendered as a modest wood-chip-fed plant with a conical storage silo and single stack near the gas units; hydro 1.3 GW appears as a small concrete dam and penstock structure nestled into a forested hillside at far right. The time is 2 AM in August: the sky is completely black to deep navy, no twilight, no sky glow, with only a faint scattering of stars partially obscured by 77% cloud cover rendered as heavy dark-grey stratiform layers. All illumination comes from artificial sources — amber sodium streetlights, glowing control-room windows, red aviation warning lights atop stacks and turbine nacelles, the orange-white glow of furnace openings in the coal plants. The landscape is central German rolling hills with late-summer deciduous trees in full dark-green leaf, barely visible in the darkness. The atmosphere is heavy and oppressive, with humid haze diffusing the industrial lights, reflecting the high electricity price. No solar panels visible anywhere. Style: a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of indigo, charcoal, umber, and amber — with visible textured brushwork, dramatic chiaroscuro, and atmospheric depth. Each energy technology is rendered with meticulous engineering accuracy: turbine nacelles with three-blade rotors, hyperbolic concrete cooling towers with condensation plumes, aluminium-clad CCGT modules with cylindrical exhaust stacks, coal conveyor gantries. The overall mood evokes Caspar David Friedrich's nocturnal sublime translated into an industrial panorama. No text, no labels.