Solar 27.0 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, their surfaces reflecting only the diffuse grey light of a completely overcast sky — no sun disc visible, no shadows, a flat pearlescent ceiling of cloud. Wind onshore 17.4 GW fills the right third and background as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning steadily in moderate wind across green late-summer meadows. Wind offshore 4.0 GW appears in the far-right distance as a cluster of turbines on the hazy horizon above a faintly visible grey sea. Natural gas 4.8 GW occupies the left-centre as two compact CCGT power plants with tall single exhaust stacks venting transparent heat shimmer. Brown coal 3.9 GW stands at the far left as two large hyperbolic cooling towers with white steam plumes rising into the overcast. Hard coal 3.8 GW sits beside them as a smaller conventional power station with a single tall chimney and conveyor infrastructure. Biomass 3.8 GW appears as a medium-sized industrial plant with a wood-chip storage dome and modest stack near the coal facilities. Hydro 1.6 GW is a small run-of-river weir with turbine house visible along a river in the mid-ground. Full midday daylight but entirely diffused — no direct sun, no harsh shadows, bright but oppressively flat illumination. The sky is heavy, unbroken dove-grey cloud pressing low, giving the scene a dense, weighty atmosphere suggesting high energy prices. Late-summer vegetation: lush green fields, mature crops, deciduous trees in full heavy leaf. Temperature mild at 19.5°C, no heat haze. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour despite the grey palette, visible confident brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve and concrete texture. The composition has the grandeur of a Caspar David Friedrich panorama married to industrial realism. No text, no labels.