Brown coal 6.0 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lamps; hard coal 4.7 GW appears just right of centre as a large coal-fired power station with two tall chimneys trailing grey smoke, conveyor belts and coal stockpiles faintly visible under industrial floodlights; natural gas 7.2 GW fills the centre-right as three compact CCGT units with slender exhaust stacks emitting thin heat shimmer, their steel housings reflecting amber security lighting; wind onshore 7.9 GW spans the far right third as a line of tall three-blade turbines on lattice towers, their red aviation warning lights blinking against the darkness, rotors turning slowly; wind offshore 0.9 GW is suggested by a small cluster of turbines on the distant horizon near the right edge; biomass 3.9 GW appears as a mid-sized industrial plant with a wooden-chip silo and a single stack producing faint exhaust, positioned between the coal and gas facilities; hydro 1.2 GW is rendered as a modest dam structure with spillway water visible at the far left edge, illuminated by a single floodlight. The sky is completely black with heavy 100% overcast—no stars, no moon, no twilight glow—a dense oppressive ceiling of cloud barely distinguishable from the void, conveying the high electricity price. The season is late summer: deciduous trees in full dark-green foliage frame the foreground, leaves motionless in the nearly calm 3.2 km/h air. The temperature of 17°C is suggested by slight ground-level mist drifting across a flat German lowland landscape. No solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich impasto brushwork, deep chiaroscuro, atmospheric depth—but with meticulous engineering accuracy for every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.