Brown coal 5.8 GW dominates the left quarter as three massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by sodium-orange industrial lamps; hard coal 4.5 GW sits just right of centre as a large coal-fired power station with rectangular stacks and conveyor belts, coal piles visible under floodlights; natural gas 5.9 GW occupies the centre as two compact CCGT units with tall single exhaust stacks emitting thin heat shimmer, their metallic casings gleaming under harsh white facility lighting; wind onshore 6.2 GW fills the right third as a long row of tall three-blade turbines on lattice towers, their rotors turning slowly, red aviation warning lights blinking on nacelles against the deep-black sky; wind offshore 2.5 GW is suggested on the far-right horizon as a cluster of smaller turbine silhouettes with blinking red lights above a faintly reflective dark sea; biomass 3.7 GW appears as a mid-sized industrial plant with a single stack and warm amber glow between the coal station and the gas units; hydro 1.5 GW is a modest concrete dam structure at the far left edge, spillway faintly illuminated. The sky is completely black with 99% cloud cover — no stars, no moon, no twilight — a dense oppressive overcast ceiling pressing down, hinting at the high electricity price. Summer vegetation — lush dark green deciduous trees and tall grass — is barely discernible in the peripheral glow of facility lights. The ground is damp from humid night air. The overall mood is heavy, industrial, and tense. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich impasto brushwork, dramatic chiaroscuro from artificial light sources against absolute darkness, atmospheric depth with steam and haze layering the middle distance, meticulous engineering detail on every turbine nacelle, cooling tower rib structure, and gas-turbine exhaust stack. No text, no labels.