Solar 35.6 GW dominates the scene as vast fields of crystalline silicon PV panels stretching across the entire foreground and middle ground, their aluminium frames glinting in bright afternoon sunshine; wind onshore 16.5 GW fills the rolling hills behind as dozens of tall three-blade turbines on lattice and tubular towers, blades turning gently in a light breeze; wind offshore 4.7 GW appears on a distant hazy horizon as a cluster of offshore turbines rising from a pale strip of sea; biomass 3.4 GW is rendered as a mid-sized wood-chip power station with a modest stack and small steam plume at the right edge; hydro 2.0 GW appears as a concrete run-of-river weir and powerhouse nestled beside a green river in the middle distance; brown coal 2.4 GW occupies a small area at the far left as two hyperbolic cooling towers with thin wisps of steam, dwarfed by the surrounding solar arrays; natural gas 1.3 GW is a compact single-stack CCGT plant beside the lignite towers, its exhaust barely visible; hard coal 0.4 GW is a single small smokestack with a faint thread of smoke adjacent to the gas plant. The sky is 85% clear, brilliant summer blue with a few scattered fair-weather cumulus clouds, the sun high and slightly west of zenith casting short shadows; temperature 17.9 °C depicted through lush but late-summer green vegetation — some fields already tinged golden. The atmosphere is calm, open, and luminous, reflecting the near-zero electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric depth with haze toward the horizon — yet rendered with meticulous engineering accuracy for each technology: three-blade rotor hubs and nacelles, PV cell grid patterns, cooling tower parabolic profiles, turbine house architecture. No text, no labels.