Wind onshore 18.9 GW dominates the scene as dozens of large three-blade turbines on lattice and tubular steel towers stretching across rolling green hills from the centre to the far right, blades turning steadily in moderate wind. Solar 11.7 GW appears as vast fields of aluminium-framed crystalline silicon panels in the mid-ground right, catching the last weak orange-red light on their surfaces. Wind offshore 5.8 GW is visible in the distant background as a row of turbines rising from a hazy sea horizon at left-centre. Biomass 3.8 GW is represented by a cluster of mid-sized industrial plants with rounded silos and modest stacks emitting thin white exhaust, positioned left of centre. Brown coal 2.8 GW occupies the far left as two large hyperbolic cooling towers with lazy pale steam plumes drifting eastward. Natural gas 1.7 GW appears as a compact CCGT facility with a single tall exhaust stack and clean metallic housing, placed between the cooling towers and biomass plants. Hydro 1.5 GW shows as a concrete dam structure nestled in a forested valley at the far left edge. Hard coal 0.7 GW is a small older power station with a single square chimney, barely visible behind the brown coal towers. The lighting is late dusk at 18:00 in August — a rapidly fading orange-red glow along the lower western horizon, the sky above transitioning from warm amber to deep slate blue, clouds at 79% cover catching the last colour. The atmosphere feels heavy and slightly oppressive, reflecting the high electricity price. Summer vegetation is lush but dry, late-season greens and golden-brown grasses. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich saturated colour, visible impasto brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's hyperbolic curve. No text, no labels.