Wind onshore 14.3 GW dominates the right two-thirds of the canvas as dozens of tall three-blade turbines with white tubular towers and nacelles, arrayed across rolling dark hills; wind offshore 6.6 GW appears on the far right horizon as a cluster of turbines standing in a barely-visible dark sea. Brown coal 6.0 GW occupies the left quarter as three massive hyperbolic cooling towers emitting thick white-grey steam plumes, lit from below by orange sodium lamps. Biomass 3.7 GW sits behind the cooling towers as a modest industrial plant with a low smokestack and illuminated loading facility. Natural gas 2.9 GW appears centre-left as a compact CCGT power station with a single tall exhaust stack and visible heat shimmer, lit by floodlights. Hard coal 1.6 GW is a smaller plant with conveyor belts and a single cooling tower just visible beside the gas facility. Hydro 1.2 GW is suggested by a dam structure in the distant middle ground, its spillway faintly catching reflected light. The sky is completely dark, deep navy-black, no twilight or sky glow, stars partly visible through 25% thin cloud wisps. The air is cool at 8°C; late-summer vegetation on the hills is dark green but barely discernible in the night. A faint ground mist clings to low valleys. The atmosphere feels heavy and oppressive, reflecting the high electricity price—brooding clouds pressing down, steam plumes dense and weighty. Artificial light sources—sodium-orange streetlights along a road, blue-white floodlights on industrial compounds—are the only illumination, casting long shadows and warm pools of light. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth, and meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.