Solar 49.9 GW dominates the scene as an immense expanse of crystalline silicon PV panels stretching across the entire foreground and middle ground, their aluminium frames glinting under diffuse midday light filtered through broken high clouds; wind onshore 13.4 GW appears as dozens of three-blade turbines with white tubular towers and detailed nacelles arrayed across rolling green hills in the right third of the composition, their blades turning lazily in light wind; wind offshore 4.0 GW is visible as a cluster of taller turbines on the distant horizon over a faintly visible sea; brown coal 6.2 GW occupies the left background as a complex of large hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; hard coal 3.1 GW sits beside them as a smaller power station with rectangular chimneys and thinner smoke; natural gas 3.2 GW appears as a compact CCGT plant with a single tall exhaust stack and a thin heat shimmer; biomass 3.9 GW is rendered as a modest wood-clad industrial facility with a short smokestack near the centre-left; hydro 1.3 GW is a small concrete dam and spillway nestled in a green valley at the far left edge. The sky is 80% covered with layered cumulus and altocumulus clouds in grey and cream, with patches of blue and strong diffuse light creating a bright but not harsh midday ambiance; direct sunlight breaks through gaps, casting dappled golden patches across the solar fields. Summer vegetation is lush — deep green deciduous trees, ripe wheat fields at the margins, wildflowers. The atmosphere is calm and open, reflecting the low electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour, visible expressive brushwork, atmospheric aerial perspective fading the distant cooling towers into haze — yet with meticulous engineering accuracy on every turbine blade, every PV cell grid line, every rivet on the CCGT stack. No text, no labels.