Wind onshore 23.4 GW dominates the right two-thirds of the scene as dozens of tall three-blade wind turbines on lattice towers stretching across rolling hills, their red aviation lights blinking against the darkness; brown coal 7.3 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial floodlights; natural gas 6.8 GW appears left-of-centre as a group of compact CCGT power plants with tall slender exhaust stacks venting thin white plumes, brightly lit by facility lighting; hard coal 4.0 GW sits beside the brown coal as a smaller set of rectangular boiler houses with single tall chimneys trailing grey smoke; wind offshore 5.1 GW is visible on the distant horizon as a faint line of turbine lights over a dark sea; biomass 4.4 GW appears as a modest industrial facility with a wood-chip storage dome and short stack near centre-right; hydro 1.2 GW is suggested by a small dam structure with illuminated spillway in a valley in the middle distance. The sky is completely dark — deep black-navy, fully overcast with no stars, no twilight, no sky glow — it is 20:00 in late August and night has fallen. The atmosphere feels heavy, humid, oppressive, with low thick clouds reflecting faint orange-brown light pollution from the industrial facilities. Summer vegetation is lush but rendered in dark muted greens barely visible in the artificial light. The warm 26.5 °C air carries a visible haze. The overall mood is brooding and tense, reflecting the high electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich dark palette with dramatic chiaroscuro, visible impasto brushwork, atmospheric depth and industrial sublime grandeur. Meticulous engineering detail on all turbine nacelles, cooling tower geometry, and exhaust stacks. No text, no labels.