Solar 22.4 GW dominates the right half of the canvas as vast plains of aluminium-framed crystalline silicon PV panels stretching to the horizon under heavy grey overcast, their surfaces reflecting diffuse pewter light; wind onshore 12.8 GW fills the upper-right background as dozens of tall three-blade turbines on lattice and tubular towers, blades turning steadily in moderate wind; wind offshore 3.0 GW appears as a distant cluster of turbines on a hazy grey horizon line suggesting the North Sea; brown coal 7.7 GW occupies the left foreground as three massive hyperbolic cooling towers with thick white-grey steam plumes merging into the low cloud ceiling, adjacent conveyor belts feeding lignite into a sprawling power station; natural gas 4.7 GW sits left-centre as two compact CCGT blocks with slender exhaust stacks emitting thin heat shimmer; hard coal 3.7 GW appears as a single large power station with rectangular cooling tower and coal stockpile beside it; biomass 4.2 GW is rendered as a mid-ground cluster of cylindrical digesters and a small wood-chip plant with a low smokestack; hydro 1.3 GW is a modest dam and penstock visible in a river valley at far left. The sky is entirely overcast — 100% cloud cover — a uniform heavy blanket of stratocumulus in shades of slate and warm grey, with no blue sky or direct sun visible, yet full diffuse daytime brightness appropriate for 10:00 in summer. Late August vegetation: deep green fields tinged faintly with early hints of gold. The atmosphere feels oppressive and heavy, reflecting the high electricity price — humid, dense air pressing down on the landscape. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich impasto brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on all infrastructure, dramatic tonal contrast between industrial steam and overcast sky, no text or labels.