Wind onshore 12.0 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling green hills, blades visibly turning in moderate wind; biomass 3.8 GW appears in the centre-right as a cluster of modest industrial buildings with wood-chip conveyors and short stacks emitting pale steam; brown coal 3.0 GW occupies the left quarter as two large hyperbolic cooling towers with thick white steam plumes and an adjacent conveyor-fed boiler house; wind offshore 2.3 GW is suggested at the far-right horizon as faint silhouettes of turbines standing in dark water; hydro 1.3 GW appears as a small concrete dam with illuminated spillway in the centre-left valley; hard coal 0.7 GW is a single modest stack with a thin grey exhaust beside the brown coal plant; natural gas 0.5 GW is a small compact CCGT unit with a single slender exhaust stack near the coal complex. The scene is set at 20:00 on a late-August night: the sky is completely dark, deep navy-black, no twilight glow remaining, 100% cloud cover obscuring all stars. The landscape is lit only by sodium-orange streetlights along a road, warm yellow-white industrial lighting on the power plants, and the faint glow of windows in a distant village. The atmosphere feels heavy and oppressive, thick humid air pressing down, hinting at the high electricity price. Lush late-summer vegetation—dark green deciduous trees, tall grass—rendered in shadow, temperature a warm 21°C. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark tones, visible confident brushwork, dramatic atmospheric depth, and meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.