Solar 33.8 GW dominates the centre and right as vast plains of aluminium-framed crystalline silicon PV panels stretching to the horizon under diffuse white light; wind onshore 19.5 GW fills the upper background and left as dozens of tall three-blade turbines on lattice and tubular towers, blades visibly spinning in a strong breeze bending the late-summer grasses; wind offshore 1.7 GW appears as a distant cluster of turbines on a hazy horizon line; biomass 3.7 GW is rendered as a modest wood-clad power station with a short stack and small steam wisp at mid-left; hydro 1.2 GW is a stone-faced run-of-river weir with churning white water in the lower-left foreground; brown coal 1.2 GW appears as a single hyperbolic cooling tower with a thin steam plume far in the left background; hard coal 0.5 GW is a smaller conventional stack beside it, barely smoking. The sky is entirely overcast at 100% cloud cover—a flat, luminous pearl-grey ceiling with no blue, no sun disc, but full midday brightness diffusing evenly, 14:00 summer daylight. Temperature 22.9 °C: lush dark-green deciduous trees in full August foliage, wildflowers in meadows between panel rows, warm humid atmosphere with slight haze. The mood is calm and expansive, matching the negative electricity price—open, unoppressive sky, serene pastoral-industrial landscape. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen—rich colour palette of greens, silvers, and muted blues, visible confident brushwork, atmospheric aerial perspective fading to soft grey at the horizon, meticulous engineering detail on every turbine nacelle, every PV module frame, every cooling tower's parabolic curve. No text, no labels.