Brown coal 8.4 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; natural gas 6.0 GW appears centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-orange industrial floodlights; hard coal 4.8 GW sits centre-right as a large gritty coal-fired station with a wide chimney and conveyor belts visible under halogen lamps; wind onshore 10.4 GW fills the right third and extends into the background as dozens of tall three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the black sky, rotors turning steadily in moderate wind; wind offshore 4.2 GW is suggested in the far distance as a line of turbine lights glowing on a dark horizon above a faintly reflective sea; biomass 3.9 GW appears as a modest biomass CHP plant with a wood-chip storage dome and a single stack glowing warmly, placed in the mid-ground between the coal and wind installations; hydro 1.1 GW is a small run-of-river powerhouse with illuminated spillway water gleaming at the lower-right edge. The sky is completely black with no twilight, no moon, heavy cloud cover at 67% obscuring stars, creating an oppressive ceiling that reflects the orange-sodium glow of industrial facilities below. Temperature is a cool 12°C early-autumn night; vegetation is dark green deciduous trees with the first hints of yellowing leaves, faintly lit by facility lights. The atmosphere feels heavy and pressured, conveying the elevated electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich chiaroscuro, visible impasto brushwork, dramatic atmospheric depth — yet every turbine nacelle, cooling tower profile, and CCGT stack is rendered with meticulous engineering accuracy. No text, no labels.