Wind onshore 25.6 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling green hills, rotors spinning briskly in strong wind. Brown coal 6.9 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting heavily under the low cloud ceiling. Wind offshore 5.3 GW appears in the distant background right as a line of turbines rising from a barely visible grey sea on the horizon. Natural gas 3.2 GW sits left of centre as two compact CCGT plants with tall narrow exhaust stacks emitting thin heat shimmer. Hard coal 2.6 GW appears as a smaller coal-fired station with a single rectangular chimney beside the lignite complex. Biomass 3.9 GW is rendered as a modest wood-clad industrial facility with a low smokestack near the centre-left foreground. Hydro 0.9 GW is a small weir and powerhouse tucked into a river valley in the lower foreground. Time is 06:00 in early September: pre-dawn first light, deep blue-grey sky with no direct sunlight, a thin pale band of cold dawn light on the eastern horizon behind the turbines. The entire sky is 100% overcast with heavy, oppressive low stratus clouds pressing down — reflecting the high electricity price with a brooding, weighty atmosphere. Temperature is mild at 17°C; vegetation is late-summer green but muted and damp. No solar panels visible. The wind visibly bends grass and tree branches. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible confident brushwork, deep atmospheric perspective with mist and haze layered through the turbine rows. Each technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, aluminium-framed structures, hyperbolic concrete cooling tower geometry, CCGT exhaust stacks. No text, no labels.