Solar 37.2 GW dominates the centre and right of the composition as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling late-summer farmland, their blue-black surfaces glinting under a midday sun partially veiled by scattered cumulus clouds covering roughly 40% of the sky. Wind onshore 22.2 GW fills the upper background and left-centre as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning briskly in moderate wind, arrayed along green ridgelines with lush but faintly yellowing September vegetation. Wind offshore 3.2 GW appears as a distant cluster of turbines on the far horizon, barely visible through atmospheric haze. Biomass 3.6 GW is rendered as a modest wood-fired power station with a low smokestack and timber storage yard at the left edge. Brown coal 2.9 GW occupies the far left as two hyperbolic cooling towers with thin wisps of white steam rising gently. Natural gas 1.9 GW sits beside them as a compact CCGT plant with a single polished exhaust stack emitting a nearly transparent heat shimmer. Hard coal 1.0 GW is a single smaller conventional stack with faint grey exhaust tucked behind the gas plant. Hydro 0.9 GW appears as a small concrete run-of-river weir in a stream in the foreground. The lighting is full bright midday, sun high in a mostly blue sky with drifting white-grey clouds, temperature mild at 19°C — the air feels calm and open, reflecting the negative electricity price. The overall atmosphere is serene, spacious, luminous. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric perspective with depth receding to a pale horizon, meticulous engineering detail on every turbine nacelle, every PV module frame, every cooling tower's parabolic concrete shell. No text, no labels.