Wind onshore 15.6 GW dominates the right two-thirds of the scene as dozens of towering three-blade turbines on lattice and tubular steel towers, their rotors turning slowly on a vast dark plain; wind offshore 4.1 GW appears as a distant line of turbines on the far-right horizon above a barely visible dark sea. Natural gas 4.4 GW occupies the centre-left as two compact CCGT power stations with tall single exhaust stacks emitting thin plumes lit from below by sodium-orange facility lights. Brown coal 3.8 GW fills the left background as two massive hyperbolic cooling towers releasing pale steam clouds, with conveyor belts and open-pit mine edges faintly illuminated. Hard coal 2.7 GW sits adjacent as a smaller conventional power station with a single rectangular stack and coal bunkers. Biomass 3.4 GW appears as a modest industrial building with a wood-chip storage dome and a short chimney, glowing warmly. Hydro 1.0 GW is a small dam structure with flowing water in the far left foreground. The sky is completely black — no twilight, no glow on the horizon — a deep navy-black firmament with sharp cold stars visible through perfectly clear air, zero cloud cover. The temperature is near 10°C: late-summer fields show dry stubble, early autumn mist clings low to the ground between turbine bases. The atmosphere is heavy and oppressive, reflecting the high electricity price — the industrial lights cast a harsh sodium glow against the dark, creating a brooding tension. All rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, deep chiaroscuro contrasts between warm industrial firelight and cold starlit darkness, atmospheric depth receding into the infinite night plain. Meticulous engineering detail on every turbine nacelle, cooling tower hyperbolic curve, and CCGT exhaust stack. No text, no labels.