Brown coal 11.8 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers exhaling thick white steam plumes into the dark sky; onshore wind 11.2 GW spans the centre-right as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning briskly in 24.6 km/h wind; natural gas 5.3 GW appears as a cluster of compact CCGT units with tall single exhaust stacks emitting pale heat shimmer, lit by sodium-orange industrial floodlights in the centre-left; hard coal 4.7 GW sits behind the gas plant as a traditional coal station with rectangular cooling towers and conveyor belts, glowing warmly from interior furnace light; biomass 3.7 GW is rendered as a smaller wood-fired plant with a single squat smokestack and stacked timber beside it, illuminated by a few white security lights; hydro 0.9 GW appears in the far right as a small dam spillway with water catching reflected light; offshore wind 0.4 GW is barely visible as tiny turbine silhouettes on the distant horizon. The sky is completely dark, deep navy-black, 2 a.m. in September, no twilight, no sky glow, 74 percent cloud cover blocking all stars. The atmosphere feels heavy and oppressive reflecting the high 143.3 EUR/MWh price — low thick clouds pressing down, lit from below by the orange-amber sodium streetlights and industrial facility glow. Late-summer vegetation — dark green deciduous trees with full canopies — frames the foreground. The landscape is flat North German lowland. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, rich dark palette of deep blues, warm oranges, and coal blacks, visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.