Wind onshore 21.4 GW dominates the right half of the scene as dozens of tall three-blade wind turbines with white tubular towers receding into deep perspective across rolling farmland; brown coal 9.7 GW occupies the left quarter as massive hyperbolic cooling towers emitting thick steam plumes lit from below by amber sodium lights; natural gas 5.8 GW appears left-of-center as a compact CCGT plant with twin exhaust stacks venting pale heat shimmer; hard coal 5.0 GW sits adjacent as a blocky power station with a tall chimney and conveyor belt structures illuminated by industrial floodlights; biomass 3.5 GW is rendered as a modest facility with a rounded silo and low stack near the center; wind offshore 3.0 GW is suggested in the far background as faint red aviation-warning lights on the distant horizon; hydro 0.9 GW appears as a small dam spillway in the lower right foreground. TIME: 04:00 at night — completely dark sky, deep navy-black, no twilight, no sky glow, stars faintly visible through 76% cloud cover rendered as heavy grey-charcoal overcast masses partially obscuring the firmament. All structures lit only by artificial light: sodium-orange streetlamps, white industrial floodlights casting sharp shadows, red blinking nacelle lights on turbine hubs. The atmosphere is heavy and oppressive reflecting the high 169.7 EUR/MWh price — low mist clings to the ground between turbine bases, coal-plant steam billows thick and ominous, the air feels dense. Autumn vegetation: stubble fields, browning grasses, bare-branching hedgerows suggest early September cooling at 11.8°C. Light wind at 4.4 km/h means turbine blades turn slowly, almost languidly. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, deep chiaroscuro contrasts between artificial light and surrounding darkness, atmospheric depth with layers of mist and industrial haze, technically precise engineering details on each facility — turbine nacelles with correct proportions, lattice and tubular towers, aluminium-framed infrastructure, hyperbolic concrete cooling tower geometry with visible condensation. The painting evokes Caspar David Friedrich's sublime darkness married to industrial grandeur. No text, no labels.