Brown coal 9.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; onshore wind 8.4 GW spans the right third as dozens of three-blade turbines on lattice and tubular towers across rolling green hills, their blades turning slowly in light breeze; hard coal 4.0 GW appears centre-left as a large industrial power station with tall chimneys and conveyor belts feeding dark fuel; biomass 4.0 GW sits centre as a mid-sized plant with cylindrical storage silos and a modest exhaust stack; natural gas 3.7 GW occupies the centre-right as a compact CCGT facility with a single clean exhaust stack and visible heat shimmer; solar 2.1 GW appears as a modest field of aluminium-framed crystalline silicon panels in the right foreground, their surfaces dull and reflective only of grey sky, producing minimal output; offshore wind 1.6 GW is visible in the far distance as a line of turbines on the hazy horizon suggesting a distant coast; hydro 1.0 GW is represented by a small run-of-river weir with a low dam in the near foreground beside a calm river. Time is dusk at 18:00 in mid-September: the sky is a heavy uniform blanket of 100% cloud cover, with a faint orange-red glow at the very lowest horizon line to the west, the upper sky darkening to slate grey; no direct sunlight breaks through. Temperature is mild at 17 degrees Celsius, late-summer vegetation still green but beginning to hint at autumn with occasional yellowing leaves on deciduous trees. Wind speed is low, shown by gently swaying grasses and slow turbine rotation. The atmosphere is calm and muted, matching a 0.0 EUR/MWh price — no oppressive weight, just vast still quietude. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, deep colour palette of ochres, slate blues, warm greys, and muted greens; visible confident brushwork; atmospheric depth with aerial perspective fading the distant offshore turbines into haze; dramatic yet contemplative composition recalling Caspar David Friedrich's sense of scale, with small human figures near the river for perspective. Meticulous engineering accuracy on all infrastructure: correct nacelle shapes, three-blade rotor geometry, hyperbolic concrete cooling tower curves, industrial piping detail. No text, no labels.