Brown coal 11.1 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes into the night sky; natural gas 9.6 GW occupies the centre-left as a row of modern CCGT plants with tall slender exhaust stacks glowing with orange sodium lighting; hard coal 5.7 GW appears centre-right as a smaller coal-fired station with a single large smokestack and coal conveyor belts illuminated by industrial floodlights; biomass 4.4 GW is rendered as a cluster of mid-sized biomass CHP plants with wood-chip storage domes and modest chimneys, lit from within by warm amber light, placed right of centre; wind onshore 0.8 GW and wind offshore 1.3 GW appear as a small group of barely visible three-blade turbines on distant hills and a few offshore turbines on the far horizon, their rotors completely still in the dead-calm air; hydro 1.2 GW appears as a small dam structure in the far right background with illuminated spillway. The sky is completely dark, a deep navy-black with scattered stars visible through 7% cloud cover, absolutely no twilight or sky glow — it is fully nighttime at 20:00 in September. The atmosphere is heavy and oppressive, reflecting the extreme electricity price: a faint industrial haze hangs over the scene, diffusing the sodium-yellow and white artificial lights of the power stations. Late-summer vegetation — dark green deciduous trees and dry grasses — is barely visible at the edges, consistent with 19.2°C. Transmission towers with high-voltage lines stretch across the composition, cables glinting under facility lights, symbolizing the massive import flows. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich impasto brushwork, dramatic chiaroscuro between the black sky and the glowing industrial facilities, atmospheric depth with haze receding into darkness, meticulous engineering detail on every cooling tower, turbine nacelle, and exhaust stack. No text, no labels.