Brown coal 11.2 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes; hard coal 5.2 GW appears as two smaller coal-fired plants with tall chimneys and conveyor-fed coal bunkers just left of centre; natural gas 5.4 GW fills the centre as a pair of compact CCGT units with slender exhaust stacks venting pale heat shimmer; wind onshore 8.2 GW spans the right third as a long row of three-blade turbines on lattice towers set across rolling green hills, blades turning steadily in moderate wind; wind offshore 1.8 GW is suggested by distant turbines visible on the far horizon over a river; biomass 3.8 GW appears as a mid-sized wood-chip-fired plant with a rounded silo and modest smokestack near the gas units; hydro 1.0 GW is rendered as a small weir and run-of-river powerhouse at the base of the composition along a dark river. Time of day is early dawn at 06:00 in September: the sky is deep blue-grey with the faintest pale pre-dawn luminescence along the eastern horizon, no direct sunlight, no sun disk visible; the overcast is total, with heavy layered stratus clouds pressing low and oppressive, conveying the 223.8 EUR/MWh high-price tension. No solar panels anywhere — zero solar generation. Vegetation is late-summer green but muted under the grey light; temperature is mild at 17.6°C. Sodium streetlights glow amber along an access road in the foreground. The river reflects the grey sky and the orange industrial lighting. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, moody atmosphere reminiscent of Caspar David Friedrich crossed with industrial realism, visible confident brushwork, deep chiaroscuro, atmospheric perspective fading into misty distance, meticulous engineering accuracy on all turbine nacelles, cooling tower geometries, and plant infrastructure. No text, no labels.