Brown coal 11.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by orange sodium lamps; onshore wind 11.4 GW fills the right third as dozens of three-blade turbines on lattice and tubular steel towers, their red aviation warning lights blinking against the darkness, rotors turning at moderate speed; natural gas 7.5 GW occupies the centre-right as several compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, illuminated by bright industrial floodlights; hard coal 4.5 GW appears centre-left as a large coal-fired station with rectangular boiler houses, conveyor belts, and a single broad chimney trailing faint smoke; biomass 3.9 GW is rendered as a mid-sized industrial plant with wood-chip storage domes and a modest stack, positioned in the middle distance; offshore wind 2.7 GW is suggested on the far-right horizon as a faint line of blinking red lights over a dark sea; hydro 1.0 GW appears as a small dam structure with illuminated spillway in the far background. The sky is completely black with 97% cloud cover — no stars, no moon, no twilight glow — a dense, oppressive overcast pressing down on the scene. Autumn vegetation: dark silhouettes of deciduous trees with thinning leaves at 13°C. The atmosphere is heavy and hazy, conveying the high electricity price through an almost suffocating industrial density. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of burnt umber, Prussian blue, warm sodium-orange, and coal-grey; visible impasto brushwork; atmospheric depth with fog and industrial haze layering the distances; meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.