Brown coal 10.5 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into heavy overcast sky; hard coal 4.2 GW appears just right of centre-left as a dark industrial complex with conveyor belts and a single tall stack trailing grey smoke; natural gas 5.1 GW occupies the centre as compact CCGT units with sleek exhaust stacks and shimmering heat haze; wind onshore 14.1 GW spans the right half of the scene as dozens of three-blade turbines on lattice and tubular towers receding across rolling green-brown late-summer hills, blades visibly turning in moderate wind; wind offshore 5.1 GW is suggested by a distant row of turbines on the far-right horizon above a grey North Sea sliver; solar 10.2 GW appears as fields of aluminium-framed crystalline silicon panels in the mid-ground reflecting only flat grey light, no sun visible; biomass 4.1 GW is a modest wood-chip plant with a short stack and small steam wisp near the coal complex; hydro 1.2 GW is a small dam and powerhouse nestled in a forested valley at far left. The sky is entirely covered by low, dense, oppressive stratus clouds in tones of pewter and slate, conveying high electricity prices; the lighting is diffuse full-daylight at 08:00 in September — no shadows, no sun disc, soft grey illumination across the entire landscape. Temperature is cool at 10.7°C: grass shows early autumn browning, trees retain green leaves with hints of yellowing, and a thin ground mist lingers in the valleys. Transmission pylons and high-voltage lines connect the installations across the panorama. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich colour palette of greys, greens, and ochres, visible confident brushwork, atmospheric depth and aerial perspective, meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and panel frame. No text, no labels.