Brown coal 10.3 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; wind onshore 15.7 GW spans the entire centre and right of the composition as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling hills, blades visibly turning in moderate wind; wind offshore 5.6 GW appears as a distant row of turbines on the far-right horizon above a dark sea; natural gas 3.3 GW is rendered as two compact CCGT plants with single tall exhaust stacks and glowing orange vents near the coal complex; hard coal 2.9 GW appears as a smaller conventional power station with a single large smokestack and conveyor infrastructure beside the lignite towers; biomass 3.7 GW is depicted as a mid-sized industrial facility with a wood-chip storage dome and modest steam output near the centre-left; hydro 1.2 GW is a small dam and powerhouse nestled in a valley at the far left edge. TIME AND LIGHT: 04:00 deep night, completely black sky with no twilight or sky glow, 100% cloud cover so no stars or moon visible, sky is an oppressive dark charcoal-navy blanket. All facilities lit only by sodium-orange industrial lighting, glowing control-room windows, and aviation warning lights blinking red atop turbine nacelles. The atmosphere feels heavy and brooding, reflecting a high electricity price—low dense clouds press down, faintly illuminated from below by the industrial glow of the coal plants. Autumn vegetation: trees with thinning foliage, grass muted dark green, temperature 13.5°C suggested by a hint of mist near the ground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting—rich, dark palette of deep blues, warm oranges, and cool greys, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. The scene evokes Caspar David Friedrich's sublime darkness married to industrial realism. No text, no labels.