Solar 33.7 GW dominates the foreground and middle distance as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling farmland, their surfaces reflecting a uniform silvery-white overcast sky; wind onshore 21.3 GW fills the right two-thirds of the background as dozens of tall three-blade turbines on lattice and tubular towers, blades rotating in moderate wind, receding into atmospheric haze; wind offshore 3.0 GW appears as a small cluster of turbines on the distant horizon line; brown coal 2.8 GW occupies the far left as two hyperbolic cooling towers with thin steam plumes rising into the grey clouds; biomass 3.7 GW sits as a modest wood-chip-fed power plant with a squat smokestack and fuel storage dome near the left middle ground; natural gas 1.3 GW is a compact CCGT unit with a single slim exhaust stack emitting faint heat shimmer beside the biomass plant; hydro 1.2 GW appears as a small concrete run-of-river weir with a powerhouse on a stream in the left foreground; hard coal 0.4 GW is a barely visible small conventional plant with a single stack behind the cooling towers. The sky is entirely overcast at 14:00 in full diffuse daylight — bright but sunless, a flat blanket of pearl-grey stratus with no visible sun disc, yet the landscape is well-lit with soft shadowless illumination. Temperature is mild at 17.8°C; vegetation is late-summer green just beginning to show early autumn gold at the edges. The negative electricity price lends the atmosphere a calm, open, spacious quality — no oppression, no drama, just an immense quiet abundance. Painted in the style of a highly detailed 19th-century German Romantic landscape oil painting — rich layered colour, visible confident brushwork, deep atmospheric perspective — but with meticulous engineering accuracy on every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve and concrete texture. No text, no labels.