Wind onshore 25.6 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers stretching across rolling green hills from the centre to the far right, rotors visibly spinning in strong wind; wind offshore 6.5 GW appears as a distant cluster of larger turbines on the grey horizon line over a strip of churning North Sea; solar 6.6 GW is represented by large fields of aluminium-framed crystalline silicon PV panels in the middle ground, their surfaces dull and unreflective under the heavy overcast; brown coal 4.0 GW occupies the left foreground as a lignite power station with two massive hyperbolic cooling towers emitting thick white steam plumes that merge into the low cloud ceiling; biomass 3.9 GW sits as a compact wood-chip-fed plant with a cylindrical silo and modest smokestack beside the coal station; natural gas 2.0 GW appears as a smaller CCGT unit with a single clean exhaust stack and visible heat shimmer; hydro 1.1 GW is a small run-of-river weir with turbine house on a calm river in the lower left; hard coal 0.7 GW is a single smaller conventional stack barely visible behind the lignite station. The sky is uniformly covered by thick stratiform clouds at 100% cover, casting flat diffuse daylight consistent with 08:00 CEST — no direct sun, no shadows, a soft grey-white luminosity across the entire scene. Vegetation is early-autumn green with hints of yellowing leaves at 15.6°C. Grasses and tree canopies bend noticeably in 21 km/h wind. The atmosphere is calm, open, and spacious, reflecting the low 9.8 EUR/MWh price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric depth with soft aerial perspective fading into the grey distance, meticulous engineering detail on every turbine nacelle, every cooling tower's concrete ribbing, every PV cell pattern. No text, no labels, no human figures prominent.