Wind onshore 25.6 GW dominates the right two-fifths of the scene as vast ranks of three-blade turbines on lattice and tubular towers stretching across rolling green hills, rotors spinning briskly in steady wind. Solar 29.0 GW occupies the centre-right as enormous fields of aluminium-framed crystalline silicon PV panels covering gentle farmland, their glass surfaces reflecting a flat, pearly white sky with no direct sunlight. Brown coal 3.1 GW appears at the far left as two massive hyperbolic cooling towers emitting thin white steam plumes, beside a lignite conveyor and stockpile. Biomass 3.7 GW sits left-centre as a compact wood-clad power station with a small smokestack and timber storage yard. Wind offshore 3.3 GW is visible on the distant horizon line as a cluster of offshore turbines barely visible through haze above a grey North Sea strip. Natural gas 1.6 GW appears as a single small CCGT plant with a slender exhaust stack and minimal heat shimmer, tucked between the biomass plant and the wind turbines. Hydro 1.3 GW is rendered as a modest dam and spillway nestled in a wooded valley in the far left background. Hard coal 0.3 GW is a tiny, barely visible conventional stack behind the brown coal towers. Lighting is full midday daylight at noon under a completely overcast, uniformly grey-white sky — no sun disk visible, no shadows, soft diffuse illumination across the entire landscape. Temperature is mild at 16.8°C; vegetation is late-September green with the faintest hints of early autumn yellowing at leaf edges. The wind is visible in bending grasses, rippling puddles, and briskly spinning turbine blades. The atmosphere feels calm and expansive despite the heavy cloud ceiling, consistent with a negative electricity price — no oppressive mood, just quiet, immense overproduction. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric aerial perspective with depth receding into misty grey distance — but every turbine nacelle, every PV cell grid pattern, every cooling tower's parabolic curve rendered with meticulous engineering accuracy. No text, no labels, no human figures prominent.