Wind onshore 29.5 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling central German hills into the distance; brown coal 6.0 GW occupies the far left as a cluster of massive hyperbolic cooling towers with pale steam plumes rising into the dark sky, lit from below by orange sodium lamps; wind offshore 5.9 GW appears as a distant line of turbines on the far horizon where land meets darkness; biomass 4.1 GW is rendered as a medium-sized industrial plant with a tall chimney and warm amber-lit windows in the left-centre; natural gas 2.8 GW sits as a compact CCGT facility with a single tall exhaust stack venting a thin plume, positioned between the coal plant and the biomass facility; hard coal 2.0 GW appears as a smaller power station with a conveyor belt and stockpile, glowing under floodlights near the coal cooling towers; hydro 1.1 GW is a small dam with a spillway visible in the lower foreground, water catching reflected light. Time is 22:00 in late September — the sky is completely black with no twilight, stars faintly visible through the clear atmosphere with zero cloud cover. The atmosphere feels slightly heavy and warm-toned despite the clear sky, reflecting the elevated electricity price. Autumn vegetation — browning grasses, early leaf colour on scattered deciduous trees — is barely visible in the ambient industrial glow. Wind turbine blades show moderate motion blur from 10 km/h winds. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of navy, black, amber, and ochre; visible impasto brushwork in the steam plumes and sky; atmospheric depth created by layers of industrial light receding into darkness. Each technology rendered with meticulous engineering accuracy: turbine nacelles and three-blade rotors, aluminium-framed structures, hyperbolic concrete cooling tower geometry, CCGT exhaust details. No text, no labels.