Wind onshore 14.7 GW spans the right third of the canvas as dozens of tall three-blade turbines on lattice towers stretching across rolling hills, rotors turning in moderate wind; wind offshore 4.1 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea; brown coal 11.0 GW dominates the left quarter as massive hyperbolic cooling towers emitting thick steam plumes, lit from below by orange sodium lamps of an industrial complex; natural gas 7.0 GW fills the centre-left as a row of compact CCGT units with tall single exhaust stacks venting thin white plumes; hard coal 4.6 GW sits behind the gas plant as a smaller coal-fired station with rectangular boiler houses and a single chunky smokestack; biomass 4.1 GW appears as a mid-sized wood-chip plant with a conical silo and small steam vent near the centre; hydro 0.9 GW is a modest dam and spillway tucked into a valley at the far left. TIME: 22:00 in late September — fully dark, black sky overhead with a partially cloud-veiled moon, no twilight glow whatsoever, stars faintly visible through gaps in 49% cloud cover. All facilities glow under harsh sodium-orange and industrial white floodlighting, casting reflections on wet ground. The atmosphere is heavy and oppressive, thick humid air suggesting high electricity cost, with low mist pooling in valleys. Vegetation is late-summer green turning to early autumn, oak and beech trees barely visible in darkness. Temperature 13°C gives a cool damp feeling. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich dark palette of Prussian blue, lamp-black, burnt sienna, and cadmium orange — visible impasto brushwork, dramatic chiaroscuro from industrial lighting against deep night, atmospheric depth with haze and mist layers. Each technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, aluminium hub covers, hyperbolic concrete cooling tower shells with internal ribbing, CCGT exhaust diffusers. No text, no labels.