Brown coal 11.0 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes into the black night sky; wind onshore 8.8 GW and offshore 1.6 GW together span the centre-right as dozens of three-blade turbines on lattice and tubular steel towers, their red aviation warning lights blinking in the darkness; natural gas 6.0 GW appears as two compact CCGT power blocks with tall single exhaust stacks and lit control buildings in the centre-left; hard coal 4.4 GW occupies the mid-ground as a smaller coal-fired station with a single large smokestack and conveyor belts visible under industrial sodium lighting; biomass 3.7 GW is rendered as a wood-chip-fed CHP plant with a modest chimney and stacked timber in its yard, lit by warm floodlights; hydro 0.9 GW appears as a small concrete dam structure in the far background, water glinting faintly under artificial light. The sky is completely black, deep navy at best—no moon, no twilight, no sky glow—only the orange sodium streetlights of a nearby small German town and the glowing windows of industrial facilities pierce the darkness. The atmosphere feels heavy and oppressive, a faint industrial haze catching the artificial light, conveying the high electricity price. Early autumn vegetation—deciduous trees with leaves just beginning to turn—stands in the foreground, their forms barely visible. Temperature near 10°C suggested by faint mist at ground level. Light wind: turbine blades turning slowly. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich dark palette of burnt umber, Prussian blue, and lamp black, visible impasto brushwork, atmospheric depth, meticulous engineering accuracy on all turbine nacelles, cooling tower geometries, and exhaust stack proportions. No text, no labels.