Wind onshore 25.4 GW dominates the right two-thirds of the scene as dozens of enormous three-blade turbines on lattice towers stretching across rolling central German hills into the deep distance, red aviation warning lights blinking on nacelles; wind offshore 5.1 GW appears as a faint line of turbine lights on a far northern horizon. Brown coal 8.8 GW occupies the left quarter as a massive lignite power station complex with four hyperbolic cooling towers venting thick white steam plumes into the black sky, furnace glow reflecting orange on the vapour. Hard coal 4.3 GW sits just right of the lignite plant as a pair of smaller stack structures with red-lit exhaust trails. Natural gas 6.6 GW appears centre-left as two compact CCGT units with tall single exhaust stacks and a faint blue-white gas flame visible through louvred walls. Biomass 3.8 GW is rendered as a timber-clad industrial facility with a modest chimney and warm amber-lit windows near the foreground. Hydro 1.0 GW appears as a small dam structure in a valley at far centre with floodlit spillway. The sky is completely black — it is 2 AM, deep night, no moon visible, total 100% overcast erasing all stars, the cloud base faintly underlit by the industrial glow in oppressive amber-orange tones reflecting the high electricity price. Temperature 12.3°C: early autumn vegetation, leaves beginning to turn brown and gold, visible in the sodium streetlight spill from a small village in the mid-ground. Wind at 12.7 km/h animates the turbine blades in moderate rotation, grass bending slightly, steam plumes drifting and shearing. The atmosphere is heavy and brooding despite the surplus generation. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich impasto brushwork, deep chiaroscuro, atmospheric sfumato in the steam and cloud layer, meticulous engineering detail on every turbine nacelle, cooling tower profile, and gas stack. No text, no labels.