Brown coal 10.7 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky, lit from below by orange sodium lamps; natural gas 8.1 GW fills the centre-left as two modern CCGT power plants with tall slender exhaust stacks releasing thin heat shimmer, illuminated by industrial floodlights; hard coal 4.2 GW appears centre-right as a single large coal-fired station with a rectangular boiler house and prominent smokestack, glowing windows along its facade; biomass 4.3 GW sits to the right as a cluster of mid-sized industrial buildings with squat chimneys and wood-chip storage domes under yellow floodlights; wind onshore 3.1 GW appears as a small group of three-blade turbines on a dark ridge in the far right background, their red aviation warning lights blinking; wind offshore 1.1 GW is suggested by faint red lights on the distant horizon line; hydro 1.0 GW is a small concrete dam structure barely visible in the middle distance with a lit turbine house. The sky is completely black with no twilight or sky glow, only scattered cold stars on a perfectly clear night. Temperature is 9°C in late September — the vegetation is early-autumn sparse grass and browning deciduous trees at the edges. The air is nearly still, with barely any movement in the steam plumes. The atmosphere is heavy and oppressive despite the clear sky, conveying high electricity prices — a dense, brooding quality to the darkness pressing down on the industrial glow. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the deep black sky and the warm industrial light sources, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower concrete texture, and steel lattice structure. No text, no labels.