Brown coal 10.0 GW dominates the left third of the scene as a vast complex of hyperbolic cooling towers with dense white steam plumes rising into the black sky; natural gas 7.7 GW fills the centre-left as a bank of compact CCGT units with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-orange industrial floodlights; onshore wind 5.1 GW occupies the centre-right as a scattered line of three-blade turbines on lattice towers, their rotors turning slowly, visible only by red aviation warning lights on nacelles and faint reflected glow from the industrial complex; biomass 4.0 GW appears as a mid-sized plant with a rectangular stack and wood-chip storage yard, warmly lit from within, positioned between the gas plant and the wind turbines; hard coal 3.3 GW sits at the far left as a smaller power station with a single large chimney and coal conveyors, illuminated by harsh white spotlights; hydro 0.8 GW is suggested at the far right as a small dam structure with water glinting under a single floodlight. The sky is completely black with 100% cloud cover — no stars, no moon, no twilight glow whatsoever, a thick oppressive overcast ceiling pressing low. The overall atmosphere is heavy and brooding, reflecting the high electricity price. Autumn vegetation — yellowing birches and browning grass — is barely visible at ground level under the industrial lighting. Temperature is mild at 15°C, with no frost. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — think Caspar David Friedrich reimagining the Ruhr valley at midnight — with rich impasto brushwork, deep chiaroscuro contrasts between the glowing industrial facilities and the surrounding darkness, atmospheric depth with steam and haze layering into the distance, and meticulous engineering accuracy in every cooling tower, turbine nacelle, and exhaust stack. No text, no labels.